Lesson 3 · text
Delay-based modulation: chorus, flanger and vibrato
◷ 28 min
± 1u 26m left in this chapter
The comb filter as the engine behind flanger and chorus, why delay time decides which of the two you hear, how modulating that time changes pitch, and what feedback, polarity and mono summing do to your result.
The rest of this lesson is part of H35
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